DAY 30 - 30 SONGS IN 30 DAYS

Day 30: A song that reminds you of yourself

"I Still Haven't Found What I'm Looking For" has been acclaimed by many critics and publications as one of the greatest songs of all time. In 2001, the song was ranked at number 120 on the RIAA's list of 365 "Songs of the Century" – a project intended to "promote a better understanding of America's musical and cultural heritage" – despite the group's Irish origins. In 2003, a special edition issue of Q, titled "1001 Best Songs Ever", placed "I Still Haven't Found What I'm Looking For" at number 148 on its list of the greatest songs. In 2005, Blender ranked the song at number 443 on its list of "The 500 Greatest Songs Since You Were Born". In 2004, Rolling Stone ranked the song 93rd on its list of "The 500 Greatest Songs of All Time"; the song remained in that position on the magazine's 2010 version of the list, but was re-ranked to 321st on the 2021 version.

Los Angeles Times critic Robert Hilburn called it U2's "Let It Be", in reference to the Beatles song. The staff of the Rock and Roll Hall of Fame selected "I Still Haven't Found What I'm Looking For" as one of 500 Songs that Shaped Rock and Roll.

The song was covered by Scottish band the Chimes in 1990 and was featured on their self-titled debut album. The rendition peaked at number six in both the United Kingdom and New Zealand charts. It also peaked into number twelve in the Netherlands chart. Singer Cher used to open her shows with a cover of the song during her 1990s and 2000s concerts. The cast of TV series Glee, led by Chord Overstreet, Kevin McHale, Darren Criss and Jenna Ushkowitz, covered the song in the eleventh episode of the fifth season, "City of Angels", as a tribute for Finn Hudson (Cory Monteith) in their national competition.

*(borrowed from Wikipedia)

DAY 29 - 30 SONGS IN 30 DAYS

 Day 29: A song you remember from childhood

The first German version in the English language was recorded by the Swing Orchestra Heinz Wehner (1908–1945) in March 1940 in Berlin. Wehner, at this time a well-known international German swing artist, also took over the vocals. The first German version in German language was sung by Inge Brandenburg (1929–1999) in 1960.

On the album Facing Future (1993), Israel Kamakawiwoʻole included "Over the Rainbow" in a ukulele medley with "What a Wonderful World" by Louis Armstrong. Kamakawiwoʻole called the recording studio at 3 a.m. He was given 15 minutes to arrive by Milan Bertosa. Bertosa said, "And in walks the largest human being I had seen in my life. Israel was probably like 500 pounds. And the first thing at hand is to find something for him to sit on." A security guard gave Israel a large steel chair. "Then I put up some microphones, do a quick sound check, roll tape, and the first thing he does is 'Somewhere Over the Rainbow.' He played and sang, one take, and it was over."

Kamakawiwoʻole's version reached number 12 on the Billboard Hot Digital Tracks chart during the week of January 31, 2004 (for the survey week ending January 18, 2004). In the U.S., it was certified Platinum for 1,000,000 downloads sold. As of October 2014 it had sold over 4.2 million digital copies.

In the UK his version was released as a single under the title "Somewhere Over the Rainbow". It entered the UK Official Singles Chart in April 2007 at number 68. In Germany, the single also returned to the German Singles Chart in September 2010. After two weeks on that chart, it received gold status for selling 150,000 copies. In October 2010, it reached number one on the German charts. In 2011 was certified 5× gold for selling over 750,000 copies. It stayed 12 non-consecutive weeks at the top spot and was the most successful single in Germany in 2010. In March 2010 it was the second best-selling download in Germany with digital sales between 500,000 and 600,000. In France, it debuted at number four in December 2010 and reached number one. In Switzerland, it received Platinum status for 30,000 copies sold.

Kamakawiwoʻole's version of "Over the Rainbow" has been used in commercials, films and television programs, including 50 First Dates, Charmed, Cold Case, ER, Finding Forrester, Horizon, Life on Mars, Meet Joe Black, Scrubs, Snakes on a Plane, Son of the Mask, and the television series South Pacific. The Kamakawiwoʻole version was sung by the cast of Glee on the season one finale "Journey" and included on Glee: The Music, Journey to Regionals, charting at number 30 in the UK, 31 in Canada and Ireland, 42 in Australia, and 43 in the U.S.

Eva Cassidy recorded a version of the song for The Other Side (1992). After her death in 1996, it was included on the posthumous compilation Songbird (1998). In December 2000, a clip of Cassidy performing the song was featured on the BBC2 program Top of the Pops 2. Following the premiere, it became the program's most-requested video in history, and demand for the album soared after the clip was re-aired in January 2001. The song was subsequently released as a single the same month, on January 29.

"Over the Rainbow" debuted at number 88 on the UK Singles Chart in February 2001 and climbed to number 42 in May, becoming Cassidy's first single to chart in the United Kingdom. In Scotland, it reached number 36, giving Cassidy her first top-40 single in that region. It was her highest-charting song in the United Kingdom until 2007, when "What a Wonderful World" reached number one. The song also reached number 27 in Ireland in December, becoming her only top-40 hit in that country.

Cassidy's recording was selected by the BBC for its Songs of the Century album in 1999. Her performance at Blues Alley appeared on the album Simply Eva (2011).

On 3 December 2001, the British singer Cliff Richard recorded a cover of the mashup "Somewhere Over the Rainbow"/"What a Wonderful World" on his album Wanted. At the time of release the official website for the album explained that it consisted of "hits Cliff's always 'Wanted' to record." The album is primarily made up of cover songs, including songs by artists such as Elvis Presley, The Beatles, Carole King and Tina Turner. The inspiration for the album came when Richard was sent a copy of Israel Kamakawiwo'ole's recording of "Over the Rainbow" combined with "What a Wonderful World" weeks into the year 2000 and he knew immediately he wanted to record it.

The mashup reggae-themed track with a lot of similarities to the Israel Kamakawiwo'ole arrangement was released as the debut single from the album Wanted and charted on the UK Singles Chart peaking at number 11 and stayed for 6 weeks in the British charts. Richard premiered it on the Open House with Gloria Hunniford on 6 November 2001. On the date of release of the single on 3 December 2001, he was invited to the ITV programme This Morning to perform it live. He also performed it at the Premier Christmas Spectacular at Methodist Westminster Central Hall in London on 14 December 2001.

Danielle Hope, the winner of the BBC talent show Over the Rainbow, released a cover version of the song as a digital download on May 23, 2010, and a single on May 31, 2010. As it was recorded before a winner was announced, runners-up Lauren Samuels and Sophie Evans also recorded versions.

The single was a charity record that raised money for the BBC Performing Arts Fund and Prostate UK.

American singer Ariana Grande released a version of the song on June 6, 2017, to raise money at her benefit concert One Love Manchester after 22 people were killed in the Manchester Arena bombing at Grande's concert on May 22, 2017.

Art Tatum recorded four jazz covers in 1939, 1948, 1953 and 1956 where he extravagantly improvises over the original melody on piano. The 1939 version was recorded only three days after the movie came out.

The song appears in the conclusion of the film adaptation of Junior Miss, whose protagonist is named Judy.

The Demensions recorded an ethereal, orchestral and dreamy doo-wop version, arranged by composer Seymour Barab that reached number 16 on the Billboard Hot 100 in 1960.

In 1966, the girl group Patti LaBelle and the Bluebelles recorded the song for their album Over the Rainbow, which reached No. 20 on the R&B album charts as a doo-wop rendition.

Katharine McPhee's version in 2006 reached number 12 on the Billboard Hot 100.

Nicholas David, a contestant on the third season of The Voice, recorded a version that went to number 96 on the Billboard Hot 100 in 2012 with sales of 48,000 copies.

*(borrowed from Wikipedia)

DAY 28 - 30 SONGS IN 30 DAYS

 Day 28: A song by an artist whose voice you love

Houston was a long-time supporter of several charities all around the world. In 1989, she established the Whitney Houston Foundation for Children. It offered medical assistance to sick and homeless children, fought to prevent child abuse, taught children to read, created inner-city parks and playgrounds and granted college scholarships, including one to The Juilliard School.

At a 1988 Madison Square Garden concert, Houston earned more over $250,000 for the United Negro College Fund (UNCF).

Houston donated all of the earnings from her 1991 Super Bowl XXV performance of "The Star Spangled Banner" sales to Gulf War servicemen and their families. The record label followed suit and she was voted to the American Red Cross Board of Directors as a result. Following the terrorist attacks in 2001, Houston re-released "The Star Spangled Banner" to support the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. She waived her royalty rights to the song, which reached number one on charts in October 2001 and generated more than $1 million.

Houston declined to perform in apartheid-era South Africa in the 1980s. Her participation at the 1988 Freedomfest performance in London (for a then-imprisoned Nelson Mandela) grabbed the attention of other musicians and the media.

In addition, Houston became an activist for the fight against HIV and AIDS during the first decade of the AIDS epidemic. The Whitney Houston Foundation for Children, in particular, focused on helping children who suffered from HIV/AIDS among other issues. In 1990, Whitney took part in Arista Records' 15th anniversary gala, which was an AIDS benefit, where she sang "I Wanna Dance with Somebody (Who Loves Me)", "Greatest Love of All" and, with cousin Dionne Warwick, "That's What Friends Are For". In 1991, Whitney participated in the Reach Out & Touch Someone AIDS vigil at London in September 1991 while she was finishing her historic ten-date residency at London's Wembley Arena; there, she stressed the importance of AIDS research and addressing HIV stigma.

Noting of her influence as a gay icon, during the middle of her tour to promote the My Love Is Your Love album in June 1999, Whitney gave a surprise performance at the 13th Annual New

York City Lesbian & Gay Pride Dance at one of the city's West Side piers.

*(borrowed from Wikipedia) 

 

DAY 27 - 30 SONGS IN 30 DAYS

 Day 27: A song that breaks your heart 

On November 8 and 9, 1992, Browne performed in Honolulu with Bonnie Raitt, Crosby, Stills & Nash and the Pahinui Brothers in a benefit concert for the victims of Hurricane Iniki which had devastated the island of Kauai two months earlier.

On October 25, 2014, Browne performed at the Arlington Theatre in Santa Barbara, California, in a benefit concert for Sanctuary Centers of Santa Barbara, a nonprofit providing mental health and co-occurring disorders treatment services. Jessie Bridges, Jeff Bridges and David Crosby also performed at this benefit. On August 11, 2015, he performed another benefit concert for Sanctuary Centers at the Santa Barbara Bowl.

In November 2013, Browne performed with students from School of Rock West LA and Burbank in a benefit concert for the Rock School Scholarship Fund, at the legendary Troubadour in West Hollywood. His set of hits including "Somebody's Baby", "Doctor My Eyes", and "Take It Easy" were all performed with students aged 13 to 17 accompanying him. Money raised went toward scholarships for children who want to attend any rock school in the USA but whose parents do not have the financial means.

In April 2012, Browne performed for Artists for the Arts benefit along with Glen Phillips of Toad the Wet Sprocket and the band Venice. The benefit was to keep arts and music in public schools funded and raised over $100,000. This was Browne's fifth appearance out of the nine annual shows that have taken place. The band Venice was the main act and performed all supporting music for the guest artists along with a student orchestra and choir from the Santa Monica High and Malibu High school districts. The concert, held at Barnum Hall, was a sold-out event.

In 2008, Browne contributed to the album Songs for Tibet, an initiative to support Dalai Lama Tenzin Gyatso, and to publicize the human rights situation in Tibet. The album was issued on August 5 via iTunes and on August 19 in music stores around the world.

Browne covered John Lennon's "Oh My Love" to benefit Amnesty International's campaign to alleviate the crisis in Darfur. The song appears on the album Instant Karma: The Amnesty International Campaign to Save Darfur, which was released on June 12, 2007, and features many other artists performing other John Lennon covers, such as R.E.M., Jack Johnson, U2, Avril Lavigne, Green Day, and The Black Eyed Peas.

Browne performed live and recorded The Beatles song medley "Golden Slumbers/Carry That Weight" in 1991 with Jennifer Warnes for the charity album For Our Children to benefit the Pediatrics AIDS Foundation. Browne and Warnes again performed it live for the Tucson, AZ, benefit concert.

Browne performed and sang the role of the Scarecrow in The Wizard of Oz in Concert: Dreams Come True, a 1995 musical performance for charity alongside Roger Daltrey, Natalie Cole, Nathan Lane, and other stars. The celebrity cast performed a reader's theatre and songs styled performance of the MGM film The Wizard of Oz at the Lincoln Center as a benefit for the Children's Defense Fund. VHS and CD recordings were released of the concert in 1996 by Rhino Records.

Browne covered Lowen & Navarro's "Weight of the World" on Keep The Light Alive: Celebrating The Music of Lowen & Navarro. The proceeds of the album benefit The Eric Lowen Trust, ALS Association Greater Los Angeles, and Augie's Quest.

Browne also held a benefit concert for the Rory David Deutsch Foundation which is dedicated to providing funding for brain tumor research and treatment.

In October 2010, Browne performed at both days of the 24th Annual Bridge School Benefit Concert, a yearly fundraiser established by Neil Young. The Bridge School assists children with severe physical impairments and complex communication needs. Browne also appeared at the 2010 NAMM Conference in Anaheim, California with Yoko Ono and Quincy Jones in support of the John Lennon Educational Tour Bus.

On March 10, 2011, Browne, David Crosby, Graham Nash, Alice Cooper, and others performed a benefit concert in Tucson, Arizona, benefiting The Fund For Civility, Respect, and Understanding, a foundation that raises awareness about and provides medical prevention and treatment services to people with mental disorders. The concert also benefited victims of the January 8, 2011, shootings in Tucson.

On July 23, 2013, Browne performed with the Kings of Leon and the Flaming Lips in Oklahoma City for Rock for Oklahoma, a benefit concert for Oklahoma tornado victims.

Browne has continued to provide exclusive music tracks for various charity and benefit albums, including Safety Harbor Kids Holiday Collection (where he sang the Johnny Marks holiday song "Silver and Gold" with longtime friend Lowell George's daughter, Inara George). Browne provided a live version of "Drums of War" for The People Speak Soundtrack. Other charity albums he has contributed to include: Acordes Con Leonard Cohen (song: "A Thousand Kisses Deep"), From Wharf Rats to Lords of the Docks Soundtrack (song: "Step By Step"), Shrink (the Kevin Spacey film soundtrack) (song: "Here"), Keep the Light Alive: Celebrating the Music of Eric Lowen and Dan Navarro (song: "Weight of the World"), and 1% for the Planet: The Music, Vol. 1 (a live version of "About My Imagination"), as well as many benefit concert and other appearances.

In 2002, Browne received the John Steinbeck Award, given to artists who exemplify the environmental and social values that Steinbeck believed in.

On March 14, 2004, Browne was inducted into the Rock and Roll Hall of Fame by Bruce Springsteen. On June 7, 2007, he was inducted into the Songwriters Hall of Fame.

In 2004, Browne was named an honorary Doctor of Music by Occidental College in Los Angeles for "a remarkable musical career that has successfully combined an intensely personal artistry with a broader vision of social justice." For "promoting peace and justice through his music and his unrelenting support for that which promotes nonviolent solutions to problems both nationally and internationally", Browne received the Courage of Conscience Awards from The Peace Abbey in Sherborn, Massachusetts.

In 2007, Browne was awarded the Chapin-World Hunger Year Harry Chapin Humanitarian Award.

In 2008, Browne received the NARM Harry Chapin Humanitarian Award.

In 2008, Browne received the Golden Plate Award of the American Academy of Achievement in recognition of his lifetime in the arts and dedication as a social activist. His award was presented by Awards Council member Senator Tom Daschle.

In 2018, Browne received the Gandhi Peace Award from the organization Promoting Enduring Peace. He is the first artist to receive the award.

*(borrowed from Wikipedia)

DAY 26 - 30 SONGS IN 30 DAYS

Day 26: A song that makes you want to fall in love

Despite Aerosmith's popularity and success in the 1970s, it wasn't until their comeback in the late-1980s and 1990s when they started winning awards and major recognition. In 1987, Aerosmith won the Soul Train Music Award for Best Rap – Single for the re-mix of "Walk This Way" with Run-D.M.C. In 1990, Aerosmith won their first Grammy award, for Best Rock Performance by a Duo or Group with Vocal, and went on to win a total of four such awards (all of them in the 1990s) for "Janie's Got a Gun", "Livin' on the Edge", "Crazy", and "Pink". Aerosmith is second only to U2 in the number of awards won in that category.

In addition, Aerosmith's music videos won numerous awards throughout the 1990s. Aerosmith ranks as the ninth most successful artist (and the third most successful group) of all-time at the MTV Video Music Awards (VMAs), with ten such awards to date. Aerosmith is also the all-time leader in the categories Best Rock Video (with four such awards) and Viewer's Choice (with three such awards). Aerosmith has also won once each in the categories Video of the Year, Best Group Video, and Best Video from a Film. The videos for which Aerosmith has won VMAs are "Janie's Got a Gun" (2 awards), "The Other Side", "Livin' on the Edge", "Cryin'" (3 awards), "Falling in Love (Is Hard on the Knees)", "Pink", and "I Don't Want to Miss a Thing".

Over the course of their career (primarily 1990 and after), Aerosmith has also collected six American Music Awards, four Billboard Music Awards, two People's Choice Awards, sixteen Boston Music Awards, and numerous other awards and honors. Some of the high accolades Aerosmith have achieved include induction into Hollywood's Rock Walk in 1990, a declaration of "Aerosmith Day" in the state of Massachusetts by then-Governor William Weld on April 13, 1993, induction into the Rock and Roll Hall of Fame in 2001, and being honored with the mtvICON award in 2002.

In the fields of technology and video games, Aerosmith has achieved several feats. In 1994, Aerosmith released the song "Head First" on the CompuServe online service, which is considered to be the first full-length commercial product available online. In 2008, Aerosmith became the first artist to have an entire Guitar Hero video game based around them with Guitar Hero: Aerosmith. Guitar Hero: Aerosmith is considered to be the best-selling band-centric video game across both the Guitar Hero and Rock Band platforms.

Aerosmith also holds several chart and album sales feats, including the second highest number of number-one singles on the Mainstream Rock Tracks chart for a group with nine, the only number one debut on the Billboard Hot 100 by a rock group with "I Don't Want to Miss a Thing", the second most gold albums by an American group behind Kiss who has 30, the most total certifications (including gold, platinum, and multi-platinum combined) by an American group, and are tied with Van Halen for the most multi-platinum albums by an American group. From the Recording Industry Association of America, Aerosmith has achieved 25 gold, 18 platinum, and 12 multi-platinum album certifications, in addition to one diamond album, four gold singles, and one platinum digital single. Media often refer to Aerosmith, who have sold more than 150 million albums worldwide and 70.2 million in the United States, as the best-selling American rock band.

Aerosmith were honored as MusiCares Person of the Year in 2020.

*(borrowed from Wikipedia) 

  

DAY 25 - 30 SONGS IN 30 DAYS

Day 25: A song you like by an artist no longer living 

Janis Lyn Joplin (January 19, 1943 – October 4, 1970) was an American singer and musician. One of the most successful and widely known rock stars of her era, she was noted for her powerful mezzo-soprano vocals and "electric" stage presence.

In 1967, Joplin rose to fame following an appearance at Monterey Pop Festival, where she was the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company. After releasing two albums with the band, she left Big Brother to continue as a solo artist with her own backing groups, first the Kozmic Blues Band and then the Full Tilt Boogie Band. She appeared at the Woodstock festival and on the Festival Express train tour. Five singles by Joplin reached the Billboard Hot 100, including a cover of the Kris Kristofferson song "Me and Bobby McGee", which reached number one in March 1971. Her most popular songs include her cover versions of "Piece of My Heart", "Cry Baby", "Down on Me", "Ball and Chain", "Summertime", and her original song "Mercedes Benz", her final recording.

Joplin died of a heroin overdose in 1970, at the age of 27, after releasing three albums (two with Big Brother and the Holding Company and one solo album). A second solo album, Pearl, was released in January 1971, just over three months after her death. It reached number one on the Billboard charts. She was posthumously inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked Joplin number 46 on its 2004 list of the 100 Greatest Artists of All Time and number 28 on its 2008 list of 100 Greatest Singers of All Time. She remains one of the top-selling musicians in the United States, with Recording Industry Association of America certifications of 18.5 million albums sold.

*(borrowed from Wikipedia) 

DAY 24 - 30 SONGS IN 30 DAYS

Day 24: A song by a band you wish were still together 

The Beatles' earliest influences include Elvis Presley, Carl Perkins, Little Richard and Chuck Berry. During the Beatles' co-residency with Little Richard at the Star-Club in Hamburg, from April to May 1962, he advised them on the proper technique for performing his songs. Of Presley, Lennon said, "Nothing really affected me until I heard Elvis. If there hadn't been Elvis, there would not have been the Beatles." Other early influences include Buddy Holly, Eddie Cochran, Roy Orbison and the Everly Brothers.

The Beatles continued to absorb influences long after their initial success, often finding new musical and lyrical avenues by listening to their contemporaries, including Bob Dylan, the Who, Frank Zappa, the Lovin' Spoonful, the Byrds and the Beach Boys, whose 1966 album Pet Sounds amazed and inspired McCartney. Referring to the Beach Boys' creative leader, Martin later stated: "No one made a greater impact on the Beatles than Brian [Wilson]." Ravi Shankar, with whom Harrison studied for six weeks in India in late 1966, had a significant effect on his musical development during the band's later years.

* (borrowed from Wikipedia)

DAY 23 - 30 SONGS IN 30 DAYS

 Day 23: A song you think everybody should listen to

This selection may come as a huge surprise, but yes, I like classical music. Without music like this there wouldn't have been any music of today. I know this piece is rather long, but maybe you can listen to it at night and drift off into a deep peaceful sleep while listening to it.

DAY 22 - 30 SONGS IN 30 DAYS

Day 22: A song that moves you forward 

Just because this reminds me from where I came and I needn't say any more...

DAY 21 - 30 SONGS IN 30 DAYS

 Day 21: A song you like with a person’s name in the title 

In a 1969 interview, Fogerty said that he wrote it in the two days after he was discharged from the National Guard. In the liner notes for the 2008 expanded reissue of Bayou Country, Joel Selvin explained that the songs for the album started when Fogerty was in the National Guard, that the riffs for "Proud Mary", "Born on the Bayou", and "Keep on Chooglin'" were conceived by Fogerty at a concert in the Avalon Ballroom, and "Proud Mary" was arranged from parts of different songs, one of which was about a washerwoman named Mary. The line "Left a good job in the city" was written following Fogerty's discharge from the National Guard, and the line "rollin' on the river" was from a movie by Will Rogers.

"Proud Mary's" singer, a low-wage earner, leaves what he considers a "good job," which he might define as steady work, even though for long hours under a dictatorial boss. He decides to follow his impulse and imagination and hitches a ride on a riverboat queen, bidding farewell to the city. Only when the boat pulls out does he see the "good side of the city"—which, for him, is one in the distance, far removed from his life. Down by the river and on the boat, the singer finds protection from "the man" and salvation from his working-class pains in the nurturing spirit and generosity of simple people who "are happy to give" even "if you have no money." The river in Fogerty and traditionally in literature and song is a place holding biblical and epical implications. ... Indeed, the river in "Proud Mary" offers not only escape but also rebirth to the singer.

The song is a seamless mix of black and white roots music ..."Proud Mary" is, of course, a steamboat traveling up and down the river. Fogerty's lyric sketches out a vivid picture of the protagonist finding a comfortable niche in a community of outsiders ... The story connects back to Mark Twain; it brings the myth [of "the rambling man and life along the Mississippi"] into the sixties.

In the Macintosh application "GarageBand", Fogerty explained that he liked Beethoven's Fifth Symphony[clarification needed] and wanted to open a song with a similar intro (descending by a third), implying the way "Proud Mary" opens with the repeated C chord to A chord. Fogerty wanted to evoke male gospel harmonies, as exemplified by groups he was familiar with such as the Swan Silvertones, the Sensational Nightingales, and the Five Blind Boys of Mississippi; especially on the line, "Rollin', rollin', rollin' on the river"; and in the guitar solo he did his "best [imitation of] Steve Cropper." The basic track for "Proud Mary", as with the other songs on the album, was recorded by John Fogerty (lead guitar), Tom Fogerty (rhythm guitar), Stu Cook (bass), and Doug Clifford (drums) at RCA Studios in Hollywood, California, with John overdubbing instruments and all the vocals later.

Billboard described "Proud Mary" as a "driving blues item with a strong beat."Cash Box described it as "a steady moving mid-speed chunk of funk and rhythm that will make itself felt in both pop and underground spots." Cash Box ranked it as the No. 55 single of 1969.

*(borrowed from Wikipedia) 

DAY 20 - 30 SONGS IN 30 DAYS

 Day 20: A song that has many meanings to you 

For each of the other songs I have included during the 30 Songs In 30 Days challenge I've included information about the group and/or the song but for this one since this one is so personal to me I'd like to include why it touches my heart. I started a website in 2001 in attempt to bring a whole group of old friends and acquaintances back together. I was told at that time, "build it and they will come!" Yes, it was my Field of Dreams moment! So I built it and they came. This is the song I used on the home page of that website. Since then, some have passed on and some have remained and those who have never found their way home because they can't or won't, you my friends will remain forever young with the rest of us... We are here waiting with open arms!

DAY 19 - 30 SONGS IN 30 DAYS

Day 19: A song that makes you think about life 

This is about how people turn away from the “weak and the weary”, despite the fact that suffering is such a big problem in the world.

David Gilmour (Only Music, December 1987): “‘Turning Away’ is about the political situations in the world. We have these rather right-wing conservative governments that don’t seem to care about many things other than looking after themselves.”

 

On the turning away

From the pale and downtrodden

And the words they say which we won't understand

"Don't accept that, what's happening

Is just a case of other's suffering

Or you'll find that you're joining in

The turning away"

It's a sin that somehow

Light is changing to shadow

And casting its shroud over all we have known

Unaware how the ranks have grown

Driven on by a heart of stone

We could find that we're all alone

In the dream of the proud

On the wings of the night

As the daytime is stirring

Where the speechless unite in a silent accord

Using words you will find are strange

Mesmerised as they light the flame

Feel the new wind of change

On the wings of the night

No more turning away

From the weak and the weary

No more turning away from the coldness inside

Just a world that we all must share

It's not enough just to stand and stare

Is it only a dream that there'll be

No more turning away?

DAY 18 - 30 SONGS IN 30 DAYS

I took the liberty to change this from a song from the year you were born to the the decade you were born for security purposes because you can never be too careful. As a friend of mine reminds me often that we live in a world that is unsafe these days and too many people out here are looking to do us all harm. His warning comes not from paranoia but from the job he does. 

Day 18: A song from the decade you were born

In The Guardian, Joe Queenan wrote that "Johnny B. Goode" is "probably the first song ever written about how much money a musician could make by playing the guitar", and argued that "no song in the history of rock'n'roll more jubilantly celebrates the downmarket socioeconomic roots of the genre". In Billboard, Jason Lipshutz stated that the song was "the first rock-star origin story", and that it featured "a swagger and showmanship that had not yet invaded radio."

When Chuck Berry was inducted during the first Rock and Roll Hall of Fame induction ceremony on January 23, 1986, he performed "Johnny B. Goode" and "Rock and Roll Music", backed by Bruce Springsteen and the E Street Band. The Hall of Fame included these songs and "Maybellene" in their list of the 500 songs that shaped rock and roll. It was inducted into the Grammy Hall of Fame in 1999, for its influence as a rock and roll single.

"Johnny B. Goode" has been recorded by a wide variety of artists in different genres. In 1969, country musician Buck Owens's version topped Billboard magazine's Hot Country Sides chart. In 1972, Jimi Hendrix had a posthumous hit with a live version, which peaked at number 35 on the UK Singles Chart. and number 13 on the New Zealand Top 50 in 1986. Peter Tosh's rendition peaked at number 84 on the Billboard Hot 100, number 48 on the UK Singles Chart, number 10 in the Netherlands, and number 29 in New Zealand in 1983. In 1988, Judas Priest's version reached number 64 on the UK Singles Chart. The Sex Pistols also covered it for their soundtrack The Great Rock 'n' Roll Swindle in 1979.

A cover version is included in the film Back to the Future, when the lead character Marty McFly plays it at a high school dance. Actor Michael J. Fox explained his approach to "incorporate all the characteristics and mannerisms and quirks of my favourite guitarists, so a Pete Townshend windmill, and Jimi Hendrix behind the back, and a Chuck Berry duckwalk. And we worked all that in." Reviewer Gregory Wakeman described it as "one of the best musical performances in movie history".

*(borrowed from Wikipedia) 

DAY 17 - 30 SONGS IN 30 DAYS

 Day 17: A song you’d sing a duet with someone on karaoke

"I Hate Myself for Loving You" is a song by American rock band Joan Jett and the Blackhearts, released as the lead single from their sixth studio album, Up Your Alley (1988). The song reached number eight on the US Billboard Hot 100, Jett's third single to reach the top 10, and was her first since "Crimson and Clover" in 1982. The song spent six weeks longer on the charts than did the group's biggest hit, "I Love Rock 'n' Roll" (which was on the chart for 20 weeks). On September 10, 2011, the single reached number 39 on the US Rock Digital Songs chart.

Former Rolling Stones guitarist Mick Taylor played the guitar solo in the song. One of the backing vocalists featured on the Up Your Alley album was Louie Merlino, later the founder of the band Beggars & Thieves.

The song received a nomination for Best Rock Performance by a Duo or Group with Vocal at the 31st Grammy Awards.

A cover of The Troggs' song "I Can't Control Myself" was featured as a B-side on the CD single, a non-album track.

The song was adapted for NBC Sunday Night Football, named "Waiting All Day for Sunday Night" with Carrie Underwood (previously Pink and Faith Hill) on vocal and Joan Jett on guitar.

The song was used in the opening scene of Harley Quinn moving on after her breakup with the Joker in Birds of Prey and for the Season 5 trailer for Big Mouth.

Taiwanese amateur composer Pei-Li Sun had extracted the chorus of this song for his solo work for Zhongruan named Zhongruan Rock, written in 1993 and revised on 2008.

* (borrowed from Wikipedia)

DAY 16 - 30 SONGS IN 30 DAYS

 Day 16: A song that’s a classic favorite

Glenn Frey said that originally "We decided to create something strange, just to see if we could do it," and that the song was meant to mimic the imagery of the 1965 novel The Magus by John Fowles, about a man in an unfamiliar rural setting who is unsure about what he is experiencing.

Don Henley has given a number of explanations about the song, ranging from "a journey from innocence to experience" to "a sociopolitical statement". In an interview with Rolling Stone, Henley said that the song was meant to be "more of a symbolic piece about America in general", and added: "Lyrically, the song deals with traditional or classical themes of conflict: darkness and light, good and evil, youth and age, the spiritual versus the secular. I guess you could say it's a song about loss of innocence."

The song has been described as being "all about American decadence and burnout, too much money, corruption, drugs and arrogance; too little humility and heart." It has also been interpreted as an allegory about hedonism, self-destruction, and greed in the music industry of the late 1970s. Henley called it "our interpretation of the high life in Los Angeles", and later said: "It's basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about." In the 2013 documentary, History of the Eagles, Henley reiterated:

On just about every album we made, there was some kind of commentary on the music business, and on American culture in general. The hotel itself could be taken as a metaphor not only for the myth-making of Southern California, but for the myth-making that is the American Dream, because it is a fine line between the American Dream, and the American nightmare.

In a 2009 interview, The Plain Dealer music critic John Soeder asked Henley if he regretted writing the lines "So I called up the captain / 'Please bring me my wine' / He said, 'We haven't had that spirit here since 1969'" because wines are fermented while spirits are distilled. Henley responded:

Thanks for the tutorial and, no, you're not the first to bring this to my attention—and you're not the first to completely misinterpret the lyric and miss the metaphor. Believe me, I've consumed enough alcoholic beverages in my time to know how they are made and what the proper nomenclature is. But that line in the song has little or nothing to do with alcoholic beverages. It's a sociopolitical statement. My only regret would be having to explain it in detail to you, which would defeat the purpose of using literary devices in songwriting and lower the discussion to some silly and irrelevant argument about chemical processes.

In his Encyclopedia of Great Popular Song Recordings, Volume 1, Steve Sullivan theorizes that the "spirit" that the Hotel California hasn't had since 1969 refers to the spirit of social activism of the 1960s, and how disco and the related pop music of the mid-1970s had turned away from it.

The metaphorical character of the story related in the lyrics has inspired a number of conjectural interpretations by listeners. In the 1980s, the Rev. Paul Risley of Cornerstone Church in Burlington, Wisconsin, alleged that "Hotel California" referred to a San Francisco hotel that was purchased by Anton LaVey and converted into his Church of Satan. Other rumors suggested that the Hotel California was the Camarillo State Mental Hospital, which was shut down in 1997, and redeveloped into California State University Channel Islands.

The term "colitas" in the first stanza ("warm smell of colitas, rising up through the air") has been interpreted as a sexual slang or a reference to marijuana. "Colitas" means "little tails" in Spanish; in Mexican slang it refers to buds of the cannabis (marijuana) plant. According to Glenn Frey, the "warm smell" is "colitas ... it means little tails, the very top of the plant." The Eagles' manager Irving Azoff appears to lend support to the marijuana hypothesis; however, Felder said: "The colitas is a plant that grows in the desert that blooms at night, and it has this kind of pungent, almost funky smell. Don Henley came up with a lot of the lyrics for that song, and he came up with colitas."

Other interpretations of the song include heroin addiction and cannibalism. On the various interpretations, Henley said: "Some of the wilder interpretations of that song have been amazing. It was really about the excesses of American culture and certain girls we knew. But it was also about the uneasy balance between art and commerce."

*(borrowed from Wikipedia)

[Dedicated to Kinsman Hall because you can check out anytime you want 

but you can never leave...]

DAY 15 - 30 SONGS IN 30 DAYS

 Day 15: A song you like that’s a cover by another artist

THE ORIGINAL VERSION: American R&B, soul, rock & roll singer and songwriter Wilson Pickett recorded this popular version of "Mustang Sally" in 1966 that climbed to #6 on the R&B charts and #23 on the Pop charts. It ranks on the Rolling Stone's 500 Greatest Songs of All Time.

THE COVER: The Commitments is a 1991 musical comedy-drama film based on the 1987 novel of the same name by Roddy Doyle. It was directed by Alan Parker from a screenplay written by Doyle, Dick Clement and Ian La Frenais. Set in the Northside of Dublin, the film tells the story of Jimmy Rabbitte (Robert Arkins), a young music fanatic who assembles a group of working-class youths to form a soul band named "The Commitments". The film is the first in a series known as The Barrytown Trilogy, followed by The Snapper (1993) and The Van (1996).

Producers Lynda Myles and Roger Randall-Cutler acquired the film rights to the novel in 1988, and commissioned Doyle, a first-time screenwriter, to write an adaptation. Doyle spent one year working on the script before Myles brought in veteran screenwriters Clement and La Frenais to help complete it. Upon reading the novel, Parker signed on as the film's director in 1989. An international co-production between Ireland, the United States and the United Kingdom, The Commitments was the first film produced by Beacon Pictures, which provided an estimated budget of $12–15 million. The film's young lead actors were mostly inexperienced, and were cast because of their musical backgrounds and resemblance to the characters in the novel. Principal photography took place in Dublin, from late August to October, 1990.

The Commitments underperformed at the North American box office, grossing $14.9 million during its theatrical run. Reviewers praised the music, performances and humour, while criticism was occasionally aimed at the pacing and Parker's direction. The film resulted in two soundtrack albums released by MCA Records; the first reached #8 on the Billboard 200 album chart and achieved triple-platinum status, while the second album achieved gold sales status. At the 1992 British Academy Film Awards, the film won four of six BAFTA Awards for Best Film, Best Direction, Best Adapted Screenplay and Best Editing. It also received an Academy Award nomination for Best Film Editing. The film has since gained cult status.

* (borrowed from Wikipedia)

 

DAY 14 - 30 SONGS IN 30 DAYS

I learned never to say never, but I'll say it's highly unlikely that I'll ever get married again because it's not something I desire or need for any reason but since it was on the list of 30 Songs in 30 Days, what the hell...

Day 14: A song you’d love to be played at your wedding 

Queen comments on the song:

I listened to a lot of soul music when I was in school, and I've always been interested in that sort of music. I'd been wanting to do a track like 'Another One Bites the Dust' for a while, but originally all I had was the line and the bass riff. Gradually, I filled it in and the band added ideas. I could hear it as a song for dancing but had no idea it would become as big as it did. The song got picked up off our album and some of the black radio stations in the US started playing it, which we've never had before. Michael Jackson actually suggested we release it as a single. He was a fan of ours and used to come to our shows. —John Deacon

A fantastic bit of work from Freddie really. I mean, I remember Deacy having this idea, but Deacy doesn't sing of course, so he was trying to suggest to Freddie how it should be and Fred just went in there and hammered and hammered until his throat bled, making... you know, he really was inspired by it and took it to a new height, I think. —Brian May

John Deacon, being totally in his own world, came up with this thing, which was nothing like what we were doing. We were going for the big drum sound: you know, quite pompous in our usual way. And Deakey says, "No, I want this to be totally different: it's going to be a very tight drum sound." It was originally done to a drum loop - this was before the days of drum machines. Roger did a loop, kind of under protest, because he didn't like the sound of the drums recorded that way. And then Deakey put this groove down. Immediately Freddie became violently enthusiastic and said, "This is big! This is important! I'm going to spend a lot of time on this." It was the beginning of something quite big for us, because it was the first time that one of our records crossed over to the black community. We had no control over that; it just happened. Suddenly we were forced to put out this single because so many stations in New York were playing it. It changed that album from being a million-seller to being a three-million seller in a matter of three weeks or so. —Brian May

[Freddie] would certainly fight for things he believed in. Like 'Another One Bites the Dust' which was a bit of a departure for Queen. Roger, at the time, certainly felt that it wasn't rock and roll and was quite angry at the way it was going. And Freddie said, "Darling, leave it to me. I believe in this." John had written the song. But it took Freddie's support to make it happen. —Brian May

I remember laying down the backing track with him and... he really wanted the drums as dry as they could possibly be, so I just stuffed it all with blankets and made it as dead as I possibly could and very low tuned. —Roger Taylor

Credit for the song should go to Michael Jackson in many ways. He was a fan and friend of ours and kept telling me, "Freddie, you need a song the cats can dance to." John introduced this riff to us during rehearsal that we all immediately thought of disco, which was very popular at the time. We worked it out and once it was ready, played it for Michael. I knew we had a hit as he bobbed his head up and down. "That's it, that's the gravy. Release it and it will top the charts," he said. So we did and it did. —Freddie Mercury

Use in medical training:

"Another One Bites the Dust" was used in a study to train medical professionals to provide the correct number of chest compressions per minute while performing CPR.] The bassline has close to 110 beats per minute, and 100–120 chest compressions per minute are recommended by the British Heart Foundation, and endorsed by the Resuscitation Council (UK).

 *(borrowed from Wikipedia)

DAY 13 - 30 SONGS IN 30 DAYS

 Day 13: A song you like from the 70s 

Edgar Holland Winter (born December 28, 1946) is an American musician. He is a multi-instrumentalist, playing keyboards, guitar, saxophone, and percussion, as well as singing. His success peaked in the 1970s with his band the Edgar Winter Group and their popular songs "Frankenstein" and "Free Ride". He is the brother of late blues singer and guitarist Johnny Winter.

Winter was born to John Winter II and Edwina Winter on December 28, 1946, in Beaumont, Texas. Both he and his older brother Johnny were born with albinism. By the time he left the family home, Winter had already mastered numerous instruments and reading and writing music.

Winter and his wife, Monique, live in Beverly Hills, California. The couple have no children. Winter stated in an interview: "I can see how that would be a wonderful rewarding thing, but I think there are enough people in the world" and that "it might have been more problematical if I had children with a career and all of it. I tour all the time. If I were to have children, I would want to be home all the time."

* (borrowed from Wikipedia)

DAY 12 - 30 SONGS IN 30 DAYS

 Day 12: A song from your pre-teen years

Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in Los Angeles in November 1966, a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, the same year Buffalo Springfield had become the house band at the Whisky a Go Go. Local residents and businesses had become annoyed by how crowds of young people going to clubs and music venues along the Strip had caused late-night traffic congestion. In response, they lobbied Los Angeles County to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip after 10 p.m. The young music fans, however, felt the new laws infringed upon their civil rights.

On Saturday, November 12, 1966, fliers were distributed on the Sunset Strip inviting people to join demonstrations later that day. Several of Los Angeles's rock radio stations also announced a rally outside the Pandora's Box club on the corner of Sunset Boulevard and Crescent Heights. That evening, as many as 1,000 young demonstrators, including future celebrities such as Jack Nicholson and Peter Fonda (who was handcuffed by police) gathered to protest against the curfew's enforcement. Although the rallies began peacefully, trouble eventually broke out. The unrest continued the next night, and periodically throughout the rest of November and December, forcing some clubs to shut down within weeks. It was against the background of these civil disturbances that Stills recorded "For What It's Worth" on December 5, 1966.

Cash Box said the single is a "throbbing, infectious protester circling 'round the current happenings in Cal."

"For What It's Worth" quickly became a well-known protest song. In 2006, when interviewed on Tom Kent's radio show Into the '70s, Stills pointed out that many people think the song is about the Kent State shootings of 1970, even though its release predates that event by over three years. Neil Young—Stills's bandmate in both Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY)—would later write "Ohio" in response to the events at Kent State.

An all-star version of "For What It's Worth", with Tom Petty and others, was played at Buffalo Springfield's induction into the Rock and Roll Hall of Fame in 1997; Neil Young did not attend the event.

The song is a staple of period piece films about 1960s America and the Vietnam War, such as Forrest Gump, and often used as a common shorthand to quickly establish the atmosphere of 1960s counterculture movement and protests.

The song appears in the intro to the 2005 film Lord of War, showing the lifecycle of a bullet, from manufacture to firing.

On August 17, 2020, Billy Porter sang "For What It's Worth" for the 2020 Democratic National Convention backed by Stephen Stills on guitar, a nod to the song's resurgent use in the summer 2020 American protests.

 * (borrowed from Wikipedia)

DAY 10 - 30 SONGS IN 30 DAYS

 Day 10: A song that makes you sad

Yusuf Islam (born Steven Demetre Georgiou; 21 July 1948), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and multi-instrumentalist. His musical style consists of folk, pop, rock, and, later in his career, Islamic music. He returned to making secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014.

His 1967 debut album and its title song "Matthew and Son" both reached top ten in the UK charts. Stevens' albums Tea for the Tillerman (1970) and Teaser and the Firecat (1971) were certified triple platinum in the US. His 1972 album Catch Bull at Four went to No.1 on the Billboard 200 and spent weeks at the top of several other major charts. He earned ASCAP songwriting awards in 2005 and 2006 for "The First Cut Is the Deepest", which has been a hit for four artists. His other hit songs include "Father and Son", "Wild World", "Moonshadow", "Peace Train", and "Morning Has Broken".

Stevens converted to Islam in December 1977, and adopted the name Yusuf Islam the following year. In 1979, he auctioned all of his guitars for charity, and left his musical career to devote himself to educational and philanthropic causes in the Muslim community. He has since bought back at least one of these guitars as a result of the efforts of his son Yoriyos. He was embroiled in a long-running controversy regarding comments he made in 1989, about the death fatwa placed on author Salman Rushdie in response to the publication of Rushdie's novel The Satanic Verses. His current stance is that he never supported the fatwa: "I was cleverly framed by certain questions. I never supported the fatwa." He has received two honorary doctorates and awards for promoting peace as well as other humanitarian awards.

In 2006, he returned to pop music by releasing his first new studio album of new pop songs in 28 years, entitled An Other Cup. With that release and subsequent ones, he dropped the surname "Islam" from the album cover art – using the stage name Yusuf as a mononym. In 2009, he released the album Roadsinger and, in 2014, he released the album Tell 'Em I'm Gone and began his first US tour since 1978. His second North American tour since his resurgence, featuring 12 shows in intimate venues, ran from 12 September to 7 October 2016. In 2017, he released the album The Laughing Apple, now using the stage name Yusuf / Cat Stevens, using the Cat Stevens name for the first time in 39 years. In September 2020, he released Tea for the Tillerman 2, a reimagining of his classic album Tea for the Tillerman to celebrate its 50th anniversary.

 * (borrowed from Wikipedia)