MESSAGES FROM ABOVE

 Every now and then I pay attention to billboards I see around town, Here are a few I've seen in my travels around the Redneck Riviera:

It looks like we might still be fighting the Civil War here.

Didn't anyone tell these folks the war was over in 1865?

That doesn't look like one nation under God to me.

This one gave me the creeps. Okay, I get it! Don't sleep with your baby!

You might smother your baby, but come on, a billboard?

What happened to common sense?

It looks like we have a local syphilis problem!

So go to your doctor.

Get some penicillin. End of story!

Oh yeah! We definitely have a syphilis problem

when I see at least 5 billboards in a few miles. 

So go see your doctor and stop spreading 

that stuff around you nasty scum buckets!

This one just seems crazy to me! I know there's people out

there who don't vaccinate their children, but they usually live to regret it

as soon as their child gets one or more childhood diseases.

I've never known anyone who gotten these things listed here from a vaccination.

When I was a child how childhood diseases were handled was if there was an outbreak of measles or chicken pox, you'd expose your child to them to get them over the disease. One winter when I was very young. I don't think I was even school age yet, I was very sick. I had one thing right after another. By Christmas, I was so weak I had to be carried downstairs to open my gifts. The one thing I didn't have that winter was chicken pox.

I saved that honor until I was 28 years old and my husband gave me a helluva case of chicken pox when he came home on leave. That's a post for another time...

I guess what I want to say here is why wouldn't anyone want to protect their child against getting this disease or any other disease? Any medicine has a risk of having a side effect. Does that mean don't take it? You take it with caution. You educate yourself. You arm yourself with the facts and then you do what you think is best. Some people think putting an unvaccinated child out in this germ filled world is what's best while others want to do everything they can do to safeguard their child. What do you think?

An afterthought: Don't schools require vaccinations in order to register your children for school? Is the way around that requirement to homeschool your children? These children are not only high risk to catching childhood diseases as adults, they also develop no social skills because they grow up being isolated from other children. Wow! Wow! Wow! And again wow!

* Repost from Oct 29, 2019

DAY 12 - 30 SONGS IN 30 DAYS

 Day 12: A song from your pre-teen years

Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in Los Angeles in November 1966, a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, the same year Buffalo Springfield had become the house band at the Whisky a Go Go. Local residents and businesses had become annoyed by how crowds of young people going to clubs and music venues along the Strip had caused late-night traffic congestion. In response, they lobbied Los Angeles County to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip after 10 p.m. The young music fans, however, felt the new laws infringed upon their civil rights.

On Saturday, November 12, 1966, fliers were distributed on the Sunset Strip inviting people to join demonstrations later that day. Several of Los Angeles's rock radio stations also announced a rally outside the Pandora's Box club on the corner of Sunset Boulevard and Crescent Heights. That evening, as many as 1,000 young demonstrators, including future celebrities such as Jack Nicholson and Peter Fonda (who was handcuffed by police) gathered to protest against the curfew's enforcement. Although the rallies began peacefully, trouble eventually broke out. The unrest continued the next night, and periodically throughout the rest of November and December, forcing some clubs to shut down within weeks. It was against the background of these civil disturbances that Stills recorded "For What It's Worth" on December 5, 1966.

Cash Box said the single is a "throbbing, infectious protester circling 'round the current happenings in Cal."

"For What It's Worth" quickly became a well-known protest song. In 2006, when interviewed on Tom Kent's radio show Into the '70s, Stills pointed out that many people think the song is about the Kent State shootings of 1970, even though its release predates that event by over three years. Neil Young—Stills's bandmate in both Buffalo Springfield and Crosby, Stills, Nash & Young (CSNY)—would later write "Ohio" in response to the events at Kent State.

An all-star version of "For What It's Worth", with Tom Petty and others, was played at Buffalo Springfield's induction into the Rock and Roll Hall of Fame in 1997; Neil Young did not attend the event.

The song is a staple of period piece films about 1960s America and the Vietnam War, such as Forrest Gump, and often used as a common shorthand to quickly establish the atmosphere of 1960s counterculture movement and protests.

The song appears in the intro to the 2005 film Lord of War, showing the lifecycle of a bullet, from manufacture to firing.

On August 17, 2020, Billy Porter sang "For What It's Worth" for the 2020 Democratic National Convention backed by Stephen Stills on guitar, a nod to the song's resurgent use in the summer 2020 American protests.

 * (borrowed from Wikipedia)

OVER THE RAINBOW

BootsandBraids stated in a comment yesterday that I was brave, but while I may have spent my whole life being fearless I'm also foolish to cast caution to the wind as many times as I have. I'm lucky nothing bad has ever happened to me in any of these lapses of judgment on my part. I need to think before I act in the future. So for what it's worth I want to thank you for helping me define and clarify my actions.

The other night while chatting with a friend I had an amazing lightbulb moment. Suddenly everything became crystal clear, but in doing so it didn't make me feel better it made me feel empty. You see, I was told to trust my instincts, but to that I replied trusting my instinsts was the fastest route to OZ there is. Are my instincts really that bad? That flawed? I guess what I meant by that is with me you get a guaranteed adventure and who doesn't want an adventure? Adventures are full of fun and fantasy! It made me really sad because that's all there is...I'm just a bunch of adventures and nothing more. I'm Lucy in the Sky with Diamonds!

I want to be more than just Dorothy following the Yellow Brick Road or to be more than just Alice in Wonderland. I don't want to be just someone's adventure. Yes, adventures are great and we remember them always, but they end. The conclusions live on forever but here I am alone. I want the adventures to end or I want to find another adventurer...the male version of me. Is there one? Geez! I've been searching a very long time and that unicorn is an elusive creature. The next time I write I'll fill you in on what I've encountered to date.

DAY 11 - 30 SONGS IN 30 DAYS

 Day 11: A song you never get tired of

"Gimme Shelter" was written by the Rolling Stones' lead vocalist Mick Jagger and guitarist Keith Richards, the band's primary songwriting team. Richards began working on the song's signature opening riff in London while Jagger was away filming Performance with Richards' then-girlfriend, Anita Pallenberg. In his autobiography Life, Richards revealed that the tension of the song was inspired by his jealousy at seeing the relationship between Pallenberg and Jagger, and his suspicions of an affair between them.

As released, the song begins with Richards performing a guitar intro, soon joined by Jagger's lead vocal. Of Let It Bleed's bleak world view, Jagger said in a 1995 interview with Rolling Stone magazine:

Well, it's a very rough, very violent era. The Vietnam War. Violence on the screens, pillage and burning. And Vietnam was not war as we knew it in the conventional sense. The thing about Vietnam was that it wasn't like World War II, and it wasn't like Korea, and it wasn't like the Gulf War. It was a real nasty war, and people didn't like it. People objected, and people didn't want to fight it ... That's a kind of end-of-the-world song, really. It's apocalypse; the whole record's like that.

Similarly, on NPR in 2012:

It was a very moody piece about the world closing in on you a bit ... When it was recorded, early '69 or something, it was a time of war and tension, so that's reflected in this tune. It's still wheeled out when big storms happen, as they did the other week [during Hurricane Sandy]. It's been used a lot to evoke natural disaster.

The song's inspiration was not initially Vietnam or social unrest, however, but Richards seeing people scurrying for shelter from a sudden rain storm. According to him:

I had been sitting by the window of my friend Robert Fraser's apartment on Mount Street in London with an acoustic guitar when suddenly the sky went completely black and an incredible monsoon came down. It was just people running about looking for shelter – that was the germ of the idea. We went further into it until it became, you know, rape and murder are 'just a shot away'.

The recording features guest vocals by Merry Clayton, recorded at a last-minute late-night recording session in Los Angeles during the mixing phase, arranged by her friend and record producer Jack Nitzsche. After the first verse is sung by Jagger, Clayton enters and they share the next three verses. A harmonica solo by Jagger and guitar solo by Richards follow. Then, with great energy, Clayton repeatedly sings "Rape, murder! It's just a shot away! It's just a shot away!", almost screaming the final stanza. She and Jagger then repeat the line "It's just a shot away" and finish with repeats of "It's just a kiss away". When speaking of her inclusion in the recording, Jagger stated in the 2003 book According to the Rolling Stones that the Rolling Stones' producer Jimmy Miller thought of having a female singer on the track and told fellow producer Nitzsche to contact one: "The use of the female voice was the producer's idea. It would be one of those moments along the lines of 'I hear a girl on this track – get one on the phone.'" Summoned from bed around midnight by Nitzsche, Clayton – about four months pregnant – made her recording with just a few takes and then returned home to bed. It remains the most prominent contribution to a Rolling Stones track by a female vocalist.

At about 2:59 into the song, Clayton's voice cracks under the strain; once during the second refrain on the word "shot", then on the word "murder" during the third refrain, after which Jagger is faintly heard exclaiming "Woo!" in response to Clayton's powerful delivery. Upon returning home, Clayton suffered a miscarriage, attributed by some sources to her exertions during the recording.

Merry Clayton's name was erroneously written on the original release, appearing as "Mary". Her name is also listed as "Mary" on the 2002 Let It Bleed remastered CD.

The song was recorded in London at Olympic Studios in February and March 1969; the vocals were recorded in Los Angeles at Sunset Sound Recorders and Elektra Studios in October and November that same year. Nicky Hopkins played piano, Jimmy Miller played percussion, Charlie Watts played drums, Bill Wyman played bass, Jagger played harmonica and sang backup vocals with Richards and Clayton. Guitarist Brian Jones was present during the early sessions but did not contribute, Richards being credited with both rhythm and lead guitars on the album sleeve. For the recording, Richards used an Australian-made Maton SE777, a large single-cutaway hollowbody guitar, which he had previously used on "Midnight Rambler". The guitar barely survived the recording before literally falling apart. "[O]n the very last note of 'Gimmie Shelter,'" Richards told Guitar World in 2002, "the whole neck fell off. You can hear it on the original take."

 

*(borrowed from Wikipedia)

THE BRICK WALL

Sometime after my divorce in 1998, I tried online dating with no real success. I likened it to repeatedly beating my head against a brick wall. So why am I even comtemplating doing it again? That's a very good question! I guess the best answer to that is that I'm either a glutton for punishment or that I have some eternal optimism buried deep within me. Since I decided to throw myself into the meat market again, I decided to share a few of my online dating stories from back when I did this the first time. 

Actually, I responded to this gentlemen’s ad online. The words he had written tugged at my heart and I felt almost duty bound to respond. After e-mailing and talking on the phone for several weeks, one Saturday evening about 6:30 p.m. he called me and asked me out to dinner. I explained I had been cleaning house all day, hadn’t even had a shower yet and was worn out. He said it didn’t matter and to just throw on a pair of jeans and we’d have casual dinner. Although it was on the spur of the moment, I love spontaneity, so I accepted with the stipulation he had to give me at least an hour to get ready. His drive to pick me up would be at least that long, so he said that wouldn’t be a problem.

As he drove, he called me on his cell phone a few times with the last time being about 10 minutes from my house. We talked until he arrived at my place. During this last conversation he told me he was allergic to strawberries and had inadvertently consumed some in a drink the day before and had broken out in a rash. This was not a problem and I asked him out of concern about the allergy and how he treated the rash. He also, at this point mentioned that his office staff referred to him as looking like a retired football player. That certainly wasn’t a problem. That just meant he was a rugged man. Well, let me tell you that when he got out of his car I almost fell over. If it had been daylight, he would have blocked out the sun!

When Jimmy Johnson was the coach for the Dallas Cowboys, he had a thing for BIG men on his offensive line.....somewhere in the neighborhood of 350lbs each. This guy made them look tiny!!!!! Okay, I’m not into looks and knew I could handle sitting through dinner with this man so his size was unimportant, but when we went inside the restaurant and I saw his allergic reaction, I lost my appetite. I’m no doctor, but whatever was all over his skin was more than one day old. It was scaly patches covering all visible skin with some of the patches having scabs. Not to sound gross, but some patches had scabs that were open and looked like they were oozing. Now, being the person I am...I could have probably even handled that, but as he sat through dinner telling me what I should and shouldn’t do with my poor dismal life and nothing I said was right in his eyes, he suddenly transformed from a very sweet, compassionate person I had gotten to know on the phone to an overbearing egotistical tyrant.

Everything I had done, he had done better. I got to the point where I just wanted to get through dinner and go home, but he had other ideas. He prolonged the agony by insisting on dessert which included showing me a portfolio of pictures of his ex-wife he still had in his wallet. He took extreme pride in pointing out how good she looks in a bikini. I sat in amazement wondering how much more I could tolerate when he started telling me he couldn’t stay out late because he had to fly out to DC early that next morning to testify before the Congress or Senate on some subject. At that point I was so tone deaf, I really couldn’t do anything more than try to imagine this HUGE OOZING male sitting in front of them speaking about anything. I smiled and told him I would make sure I turned the TV on in the morning so I could watch him testify......needless to say, he never appeared on TV and I never got asked out for a second date. As broken hearted as I was, I managed to pull myself together and struggle onward to be captivated by the next perfect man.

DAY 10 - 30 SONGS IN 30 DAYS

 Day 10: A song that makes you sad

Yusuf Islam (born Steven Demetre Georgiou; 21 July 1948), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and multi-instrumentalist. His musical style consists of folk, pop, rock, and, later in his career, Islamic music. He returned to making secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014.

His 1967 debut album and its title song "Matthew and Son" both reached top ten in the UK charts. Stevens' albums Tea for the Tillerman (1970) and Teaser and the Firecat (1971) were certified triple platinum in the US. His 1972 album Catch Bull at Four went to No.1 on the Billboard 200 and spent weeks at the top of several other major charts. He earned ASCAP songwriting awards in 2005 and 2006 for "The First Cut Is the Deepest", which has been a hit for four artists. His other hit songs include "Father and Son", "Wild World", "Moonshadow", "Peace Train", and "Morning Has Broken".

Stevens converted to Islam in December 1977, and adopted the name Yusuf Islam the following year. In 1979, he auctioned all of his guitars for charity, and left his musical career to devote himself to educational and philanthropic causes in the Muslim community. He has since bought back at least one of these guitars as a result of the efforts of his son Yoriyos. He was embroiled in a long-running controversy regarding comments he made in 1989, about the death fatwa placed on author Salman Rushdie in response to the publication of Rushdie's novel The Satanic Verses. His current stance is that he never supported the fatwa: "I was cleverly framed by certain questions. I never supported the fatwa." He has received two honorary doctorates and awards for promoting peace as well as other humanitarian awards.

In 2006, he returned to pop music by releasing his first new studio album of new pop songs in 28 years, entitled An Other Cup. With that release and subsequent ones, he dropped the surname "Islam" from the album cover art – using the stage name Yusuf as a mononym. In 2009, he released the album Roadsinger and, in 2014, he released the album Tell 'Em I'm Gone and began his first US tour since 1978. His second North American tour since his resurgence, featuring 12 shows in intimate venues, ran from 12 September to 7 October 2016. In 2017, he released the album The Laughing Apple, now using the stage name Yusuf / Cat Stevens, using the Cat Stevens name for the first time in 39 years. In September 2020, he released Tea for the Tillerman 2, a reimagining of his classic album Tea for the Tillerman to celebrate its 50th anniversary.

 * (borrowed from Wikipedia)